Group bassist Rob Squires described the recording session: "Hooker has just this incredible presence. In 2012, the original 1964 version was used in the film Skyfall.īig Head Todd and the Monsters version Īmerican rock group Big Head Todd and the Monsters recorded "Boom Boom" for their album Beautiful World (1997). Over the years, several versions of "Boom Boom" have been recorded by various Animals reunion lineups as well as by former members Eric Burdon and Alan Price. Ĭash Box described it as "a rousing salute to the apple of a guy's eye" that's "exciting, funky-styled" and "a great swinger." The song also appeared on the unranked chart in Wallonia. It reached number 43 on the Billboard Hot 100 and number 14 on the Canadian RPM Top 40&5 singles chart. The Animals' version was released as a single in North America in November 1964 and is included on the Animals' second American album, The Animals on Tour. Their blues-rock rendition generally follows John Lee Hooker's original, although they add "shake it baby" as a response to the "come on and shake" refrain in the middle section, taken from Hooker's "Shake It Baby" (recorded during the 1962 American Folk Blues Festival tour in Europe, where it became a hit in 1963). The Animals version "Boom Boom"Įnglish rock band the Animals recorded "Boom Boom" for their 1964 UK debut album The Animals. He reworked the song as "Bang Bang Bang Bang" for his Live at Soledad Prison album, as a South Side Chicago street musician in the film The Blues Brothers (but the song itself is not included in the film soundtrack), and as the title track for his 1992 album Boom Boom with Jimmie Vaughan. Following the success of the Animals' version, Hooker re-recorded the song in 1968 for Stateside Records as the B-side of "Cry Before I Go" under the longer title "Boom Boom Boom". It also appeared on charts in New Zealand (number 24 in 1992) and France (numbers 45 in 1993 and 87 in 2013). In 1992, after being featured in a Lee Jeans commercial, the "Boom Boom" reached number 16 on the UK Singles Chart. Two years later, in 1964, the song made a brief appearance on the chart in Walloon Belgium, which at the time did not rank positions. It was included on the 1962 Vee-Jay album Burnin' as well as many Hooker compilations, including John Lee Hooker: The Ultimate Collection. The song also appeared the Billboard Hot 100, where it peaked at number 60, making it one of only two Hooker singles to enter the broader chart. It entered the Billboard Hot R&B Sides chart on June 16, 1962, where it spent eight weeks and reached number 16. When "Boom Boom" was released as a single in April or May 1962, the song became a hit. ZZ Top later used similar lines ("how-how-how-how") for their popular "La Grange". "Boom Boom" became the Hooker song that is "the most memorable, the most instantly appealing, and the one which has proved the most adaptable to the needs of other performers". Īlso included are several wordless phrases, "how-how-how-how" and "hmm-hmm-hmm-hmm". I got it together, the lyrics, rehearsed it, and I played it at the place, and the people went wild. Every night: "Boom, boom – you late again". And she kept saying, "Boom boom – you late again". I would never be on time I always would be late comin' in. Īccording to Hooker, he wrote the song during an extended engagement at the Apex Bar in Detroit. The song uses "a stop-time hook that opens up for one of the genre's most memorable guitar riffs" and incorporates a middle instrumental section Hooker-style boogie. It has been described as "about the tightest musical structure of any Hooker composition: its verses sedulously adhere to the twelve-bar format over which Hooker generally rides so roughshod". The original "Boom Boom" is an uptempo (168 beats per minute) blues song, which has been notated in 2/2 time in the key of F. Hooker had a unique sense of timing, which demanded "big-eared sidemen". They have been described as "just the right band" for "Boom Boom". Hunter brought with him "the cream of the Motown label's session men, later known as the Funk Brothers": bassist James Jamerson, drummer Benny Benjamin, plus guitarist Larry Veeder, tenor saxophonist Hank Cosby, and baritone saxophonist Andrew "Mike" Terry. Detroit keyboardist Joe Hunter, who had previously worked with Hooker, was again enlisted for the recording session. However, with Vee-Jay, he usually recorded with a small backing band, as heard on the singles " Dimples", "I Love You Honey", and "No Shoes". Prior to recording for Vee-Jay Records, John Lee Hooker was primarily a solo performer or accompanied by a second guitarist, such as early collaborators Eddie Burns or Eddie Kirkland.
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